“A Complete Unknown” Finds a Focus Amid a Convoluted Genre
The task of creating a film about Bob Dylan’s life is seemingly insurmountable. Dylan, one of the most…
Review
Mac Miller’s “Balloonerism” is a haunting, heartfelt return to music
There is something incredibly eerie and unsettling about listening to the music of someone who is no longer…
Sounds of the Skatepark 6: From Brazil to Japan (and back again)
At Linda Vista Skatepark, after the Jehovah’s Witnesses have set up their brochure stand but before Clairemonsters start…
The Garden Reminds Us Who They Are on New EP
The Garden seems to come up when I least expect them to. I remember once having a conversation…
Unpacking Tyler, The Creator’s “CHROMAKOPIA” as a first time listener
“That version of T that you knew was a memory,” Tyler, The Creator raps midway through his eighth…
Sounds of the Skatepark Vol. 5: Locking In
The term ‘locking in’ has become a bit of a buzzword lately, but it’s been a common mantra…
Djesse Vol 4. : Jacob Collier releases the Worst Album of the Year
Djesse Vol 4. : Jacob Collier releases the Worst Album of the Year I’m writing this on my…
Aodhán King Collaborates with Pop Artists on Debut Worship Album
While Aodhán King is new as a solo artist, he’s no stranger to the music industry. King began…
Sounds of the Skatepark Vol. 4: GET ME OUT OF THE SUBURBS
In the words of a skate buddy of mine, “Skateboarding allows for a new way of thinking and…
brat except the point reviews it
Charli XCX was thrusted from the underground hyperpop scene into the mainstream with her critically acclaimed sixth record…